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Documentary Film
George Washington Taggart
The Salt Lake City Years


The Credits



A Film By
Steven L. Berlin


For My Father
Lynn Angus Berlin
1905 - 1990
A Taggart


Assistant Producers

Julie Taggart Rabe
Jan Makinen Maynard


CONSULTANTS

The filmmaker gratefully acknowledges the assistance
of the following scholars. Any errors are his own.

Historians SPENCER L. TAGGART
EILEEN ROBINSON
RANDALL DIXON
ALLEN D. ROBERTS
LYNDIA CARTER
RON ANDERSEN
RICK MCCONKIE


 FAMILY ORGANIZATION

Coordinator
Newsletter Editor
Treasurer 
DIXIE LEE DAVIS
STEVEN LAIRD TAGGART
CHRIS TAGGART


NARRATED BY

JULIE TAGGART RABE
STEVEN BERLIN


VOICES OF THE PAST

George Washington Taggart
Fanny Parks Taggart
Harriet Maria Taggart
Lt. Col. Philip St. George Cooke
Frederick Taggart
Norma Ricketts
Gordon B. Hinckley
Peter Sinclair
Alice Taggart
Brigham Young
(Amy) Namah Carter Young
John Willis
JOHN TAGGART
KRISTI BUSH
WENDY MCKENNA
BUD RUSHO
TIM TAGGART
JAN MAYNARD
VERN GORZITZE
JERRY DUNTON
ELIZABETH HAWKES
BUD RUSHO
JAN MAYNARD
ROY SOUDER

 

CREW

Key Grip
Grip
Grip
Camera/Field Audio
SUSIE RABE
JAN MAYNARD
JACOB TAGGART RABE
STEVE BERLIN


CHURCH OF JESUS CHRIST OF
LATTER-DAY SAINTS

Museum of Church History and Art
Church Archives

Church History Library
Family History Library
CARRIE SNOW
RANDALL DIXON
WILLIAM SLAUGHTER


VIDEO EXCERPTS
Used by kind permission.
See Web site at end for contact information.

Trail of Hope
Battalion
GROBERG COMMUNICATIONS
KEN VERDOIA, KUED


MUSIC
Used by kind permission.
See Web site at end for contact information.

The Yellow Road
Irish Traditional
THE BEEHIVE BAND

Over the Water to Charlie/St. Patrick's Day in the Morning
Irish Traditional Jigs
THE BEEHIVE BAND

Piney Woods/Animation/Susquehanna
Susquehanna by Mark Jardine © 1997
THE BEEHIVE BAND

O My Father
Words by Eliza R. Snow
Music: Come Thou Fount of Every Blessing
THE BEEHIVE BAND

Poor Wayfaring Man of Grief
Traditional Mormon Hymn
THE DESERET STRING BAND

Kitty O'Neil
Irish Traditional
NEW HAMPSHIRE FIDDLERS UNION

Don Jolley Waltz
Utah Traditional
THE DESERET STRING BAND

Old Smooth/John Eyre's Quadrille
19th Cent. Quadrilles from the Parowan Manuscript
THE BEEHIVE BAND

Captain Kidd 1835 Mormon Hymnal
THE BEEHIVE BAND

Black Rock
John A. Taggart Manuscript
NEW HAMPSHIRE FIDDLERS UNION

Mexican Waltz
By Harold Allen
FIREWOOD BAND

The Soldier's Dream
From John A. Taggart's Grandmother Pettis
NEW HAMPSHIRE FIDDLERS UNION

Come, Come Ye Saints/All is Well
Words by William Clayton
Music: English Folk Song
FIREWOOD BAND

The Freemason's Apron/God Speed the Plough
Traditional Pioneer Fiddle Melodies
THE BEEHIVE BAND

Brighton Camp/The Scotch Reel
Traditional/Nauvoo Era
THE BEEHIVE BAND

Newcastle Hornpipe
English Traditional
THE DESERET STRING BAND

Taggart's Hornpipe/Sugar House
Taggart's Hornpipe by John A. Taggart
NEW HAMPSHIRE FIDDLERS UNION

Old Hans/Frolie Hohsy
Scandinavian Traditional
THE DESERET STRING BAND

Doc Kemmerer's Favorite
Utah Traditional
THE DESERET STRING BAND

Miss Brown's Reel/Broaching the Cider
John A. Taggart Manuscript
NEW HAMPSHIRE FIDDLERS UNION

Arkansas Traveler
American Traditional
FIREWOOD BAND

King's Fold
English Traditional
FIREWOOD BAND

Adagio For Strings, Op. 11
By Samuel Barber
SAINT LOUIS SYMPHONY ORCHESTRA

Snow Deer
By Percy Wenrich
FIREWOOD BAND

Rosin the Beau
Irish Traditional
FIREWOOD BAND

So So Polka
Traditional
FIREWOOD BAND

Lady Bartlett's Whim/Sailors Set on Shore
Sharon, New Hampshire Traditional
NEW HAMPSHIRE FIDDLERS UNION

Amazing Grace
By John Newton
TRADITIONAL BAGPIPES

All is Well
Traditional Shape Note Hymn
THE BEEHIVE BAND

The Spirit of God Like a Fire is Burning
Words by W. W. Phelps
Music: Shape Note Hymn, The American Star
THE BEEHIVE BAND


STILL PHOTOGRAPHS

JAN MAYNARD

DAUGHTERS OF UTAH PIONEERS

UNIVERSITY OF UTAH

UTAH STATE HISTORICAL SOCIETY

NEW ENGLAND AERIAL PHOTOGRAPHY

BRIGHAM YOUNG UNIVERSITY

CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS

DENVER PUBLIC LIBRARY

UTAH STATE UNIVERSITY

LIBRARY OF CONGRESS

STEVE BERLIN

UNION PACIFIC RAILROAD

RON ANDERSEN

CHARLES R. SAVAGE - Pioneer Photographer

EDWARD MARTIN - Pioneer Photographer

CHARLES W. CARTER - Pioneer Photographer


LIVING HISTORY LOCATIONS

OLD DESERET VILLAGE,
THIS IS THE PLACE HERITAGE PARK,
GREAT SALT LAKE CITY
Pioneer Interpreters



THE PRODUCERS WISH TO EXPRESS
THEIR SINCERE THANKS TO:

Tracy Aviary
Russ Wood
McCune Mansion
Old Rock Mill
Bott Monument Company
Brigham City Museum
Gardner Mill
Dickson Family - Richville
Lee Groberg
Ken Verdoia
Leonard Coulson
Mark and Stephen Jardine
Randy Miller
Marsha McBride
Dan Ahlstrom
Bud Rusho
Blaine & Susanna Taggart
Rick McConkie
Ronald O. Barney
Lerud Productions
Peggy Brown, Sharon, NH
Will Bagley
Connie Berlin Hazen
Jeanette Taggart Holmes
Café de Normandie


DVD PRODUCTION

LAKEVIEW RECORDING STUDIO Engineer STEVEN LERUD


ORIGINAL FOOTAGE
SHOT ON LOCATION IN
:

Salt Lake City, Utah
Bountiful, Utah
Farmington, Utah
Brigham City, Utah
Richville, Utah
Morgan Utah
West Jordan, Utah
Murray, Utah
Big Cottonwood Canyon, Utah
Sharon, New Hampshire
Nauvoo, Illinois

ARTISTS

C. C. A. CHRISTENSEN
Saints Driven From Jackson County, Missouri
Haun's Mills
Leaving Missouri
Joseph Mustering the Nauvoo Legion
Exterior of Carthage Jail
The Nauvoo Temple
Crossing the Mississippi on the Ice
Catching Quails
Winter Quarters
Pioneers Crossing the Plains of Nebraska
Entering the Great Salt Lake Valley

CLARK KELLY PRICE
Ephraim Hanks: Obeying the Spirit
Martin Handcart Company-Bitter Cottonwood Creek
Rescue at the Sweetwater


TECHNOLOGY

Camera
Non-Linear Editor
System
PANASONIC AG-DVX100A
ADOBE PREMIERE PRO 1.5
3.4 MHZ P4, 1GB RAM
2 SATA 150 GB
CANOPUS FIREWIRE
RADEON 9600
SONY 20" MONITORS
XP PRO

 



Notes by Steve Berlin, Filmmaker.

Assistant Producers
JULIE TAGGART RABE
. I can't say enough about Julie's sunny good nature, her interest in this project and her willingness to read and correct scripts, storyboards, timelines, and to show up anywhere, anytime in pioneer dress and deliver her lines like a pro. Some of her adlibs were better than anything written in the script and made it into the finished film. She has been an immense help in all regards, too numerous to account.

JAN MAKINEN MAYNARD. I also can't say enough about Jan. I love Jan. She is an officially adopted Taggart family member (yes, on Steven Laird's authority) and proud of it. She read and corrected everything I wrote, did everything from run sound recording tests all day to tote cameras and lights around Old Deseret Village and maybe most of all kept me animated and focused when the project threatened becoming overwhelming.


Consultants

SPENCER L. TAGGART
. Spencer, 1911-2000, is the family member to whom most of us owe most of what we know about George Washington Taggart and his family. He got the family organization going and published the superb first 15 issues of the newsletter which was chock-full of history, compilations and research.

EILEEN ROBINSON. Eileen is Spencer's daughter and wrote a fine biography of GWT relying on much of her father's work. Eileen's work was so good that many of the film's facts are drawn from it. In some cases her exact language is used - without attribution. Typically, Eileen was just fine with that.

RANDALL DIXON. Randy is an historian and senior archivist with the Church of Jesus Christ of Latter-day Saints, Church Archives. Among a lot of other scholarship he knows more about early Salt Lake than anyone and over a lengthy period has been very supportive and contributed numerous facts and information used in the project, to say nothing of the informative interview he graciously gave on camera and which is used extensively in the film.

ALLEN D. ROBERTS. From a sketch at his firm's website:

Allen Roberts was a founding partner of Cooper/Roberts Architects in 1976, and has been a principal since 1984. He has worked extensively in the area of historic preservation, and has designed over 200 projects listed on the National Register of Historic Places. These projects span virtually all project sizes and types—from institutional structures to private commercial developments as well as residential work. He has also designed numerous new facilities including contextually and architecturally compatible buildings in historic environments. Allen is the former State Architectural Historian for the Utah Historic Preservation Office, and draws on his historical interests and strong design background to produce award-winning solutions in both historic and new buildings.

Allen is also an exceptionally knowledgeable student of Western and Mormon History and is the authority on pioneer mills in Utah, having written extensively on the subject including an essential pamphlet published by the Daughters of Utah Pioneers. As our good fortune would have it he is also a descendent of George Taggart, and like the rest of us is haunted by this fascinating ancestor. Allen's extensive interview at the Chase Mill combines with Randy's to really supply the film's historical meat and potatoes.

LYNDIA CARTER. Lyndia (pronounced Linda) is a friend who is a fine professional historian and author and who is especially expert on the handcart companies, particularly the Willy and Martin companies that suffered the disaster on the plains in late 1856. Lyndia tried to keep me straight in the handcart storytelling and any errors are my own.

RON ANDERSEN. Ron is another historian, author and good friend who is deeply knowledgeable about the Mormon Trail, pioneer emigration and early Salt Lake City. He has taken me on walking tours of the city and taught me much about its first days. I am indebted to him for checking related parts of the script, and again, any remaining errors are my own.

RICK MCCONKIE. Rick and his wife Evelyn are the authors, editors and compilers of the "blue bible" on GWT, George Washington Taggart - Member of the Mormon Battalion - His Life and Times and His Wives Harriet Atkins Bruce, Fanny Parks, Clarissa Marina Rogers and Their Ancestors - 1711-1901. This encyclopedic book is a treasure to all Taggarts and an exhaustive source of information. Rick also supplied photographs and answered questions whenever I asked for help.


Family Organization

DIXIE LEE DAVIS. Dixie is head of the George Washington Taggart Family Organization and has been very supportive since the idea of this film was conceived last spring. Dixie did everything I asked of her and was encouraging throughout, both when the project was simply going to be shown at the reunion and then as it took on life as a documentary to stand on its own. Dixie and her family took over everything having to do with the order-taking, communication with the family, duplication and mailing of the DVDs, some big jobs she did on short notice and well.

STEVEN LAIRD TAGGART. Steve is a great guy too. He got me involved in the family organization when he told me my ability to create a website was an answer to prayer. Gulp. He has been most supportive throughout and assures me there are favors in heaven for having completed this work. I certainly hope he is right.

CHRIS TAGGART. As treasurer Chris handles the family funds. Whenever there is a need there always seems to be resources available. Some of us have our worries that Chris makes up any shortfall himself but one thing we know for sure is that the organization's monies are in good hands. Chris told me he fully expected the early version of the film to be ready for the August reunion. He'd included it in his prayers. Gulp, again.


Narrated By

For the techies the voiceover sound was all recorded as 48 KHz high fidelity mono uncompressed digital PCM on a laptop personal computer using either a Sure or Sennheiser microphone with Cool Edit Pro software, where all edits and tweaks were done. Stereo tracks were filled from the monaural source. We recorded at several kitchen tables, one couch, one bedroom and even in a restaurant. Usually, recordings were a paragraph or two long and stitched together in software where a longer narration was needed.


VOICES OF THE PAST
George Washington Taggart is played by JOHN TAGGART. John had done GWT in the reader's theater that Julie had produced at the Morgan family reunion and she knew he would be great for the part. John is a descendant of Fanny through George Henry, who came from Iowa to Great Salt Lake City as a two-year old. John is president and chief executive officer of Medallion Bank.

Fanny Parks Taggart is played by KRISTI BUSH. Happily for the family, Fanny left significant writings that tell us much about George and the whole family. Kristi is Julie's sister, their parents are Blaine and Susanna Taggart. Kristi's voice was perfect for the role and I think she should do some professional work. She was there many times, whenever asked, for shooting and voice work.

Harriet Maria Taggart is played by WENDY MCKENNA, who is a descendent. She was excited by the project and willing to help in any way. I have the e-mails to prove it. She hit just the right note when telling about the flooded-out Taggart cabin that first difficult year.

Lt. Col. Philip St. George Cooke and Brigham Young are played by my good friend BUD RUSHO. Bud has been professionally producing movies and videos all his life and to boot he has that mellifluous authoritative voice that the battalion commander and church commander needed. Bud is a published author of several works, western historian and current member of two organizations I'm a part of, OCTA, the Oregon-California Trails Association Utah Crossroads Chapter and Westerners.

Frederick Taggart is played by his great-great grandson TIM TAGGART. I don't know how often Tim is in front of the microphone but in his role as head of the Audiovisual Department at the Church of Jesus Christ of Latter-day Saints he has plenty of experience putting other people there. Tim was available for any help he could offer and is going to take me around to see how the pros do it sometime soon.

Norma Ricketts and George Taggart cousin (Amy) Namah Carter Young are played by JAN MAYNARD who listened to horrific and touching descriptions of the battalion's and George's suffering before voicing these two emotional passages.

Gordon B. Hinckley is aptly played by my good friend VERN GORZITZE. Vern has an abiding interest in western history which carries him in a lot of directions. At present he is vice president of OCTA, the Oregon-California Trails Association, an international group dedicated to preserving, marking and educating about the old emigrant roads that brought a quarter million people to the American West on foot 150 years ago, before the railroad. He is a past president of the Utah Crossroads Chapter, as am I. Vern got me into Utah Westerners, a rather exclusive invitation-only western history group full of professionals, authors, professors, etc., and a few dedicated devotees. Vern is a dignified guy, a good choice since I didn't think I should try President Hinckley directly.

Peter Sinclair was a co-worker of George's as well as his tenant and his journal entries are spoken by my good OCTA and Westerners friend JERRY DUNTON, a retired editor for the Salt Lake Tribune and the man possessed of the best memory for names, dates and places that I know.

Alice Taggart speaks about her mother and my great-great-grandmother Clarissa Marina Rogers Taggart and is played by ELIZABETH HAWKES, my niece through my sister Connie. Elizabeth is clear and respectful. Just right, I think.

The owner of the 1852 Deseret Bakery is John Willis played with the right commercial flair by another much-admired historian friend from Utah Westerners, ROY SOUDER, an  engineer, businessman and former fighter pilot.


CREW

A grip is a person who does everything on a shoot from carry and set up the equipment to hold the prompter cards and light reflector boards. The key grip is in charge of the others.

SUSIE RABE was key grip. She's Julie's daughter.

JAN MAYNARD was a grip and did anything that looked like it needed doing on our shoots without being asked.

JACOB TAGGART RABE is also Julie's son and his excellent performance vied with his sister's for key grip designation.

I shot the video and recorded the sound.

CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS
We had tremendous support and cooperation whenever we asked anyone at the church. Without it this film would have been far the poorer.

At the Museum of Church History and Art CARRIE SNOW arranged for us to see, handle and film GWT's Mormon Battalion fife which they conserve and on other occasions to film the 1870 Salt Lake City model as well as carpenter's tools, battalion uniforms, the cabin outside, millstones and anything else we wanted footage of.

Three people in the Church Archives were pivotal to the production.

RANDY DIXON, historian, author and senior archivist was my primary source of information about old Salt Lake and the conduit for photographs and information about GWT in what were to me unsuspected sources such as the letters of Heber C. Kimball and the journal of Peter Sinclair. I never asked a question that Randy hadn't already thought about and nearly always knew the answer to without looking it up. He was patient and gentle with my mistakes and gave us a terrific interview that is full of fun and new information for the family.

WILLIAM SLAUGHTER is also a historian and archivist and he specializes in historic photographs. I've known Bill for years and he is a very good and helpful guy. Along with Randy he hunted up pictures of Arsenal Hill and the Taggart house, he made the scans and provided them in a form that fit perfectly into the film.

RONALD O. BARNEY contributed in a key conceptual way that I want to call attention to in the Thanks segment.


VIDEO EXCERPTS
I knew at the conception of this documentary that to be effective I needed some critical footage that I was not going to be able to obtain myself: wagons on the trail and the Mormon Battalion on the march. I had high hopes but low expectations that folks who had taken such footage as part of their livelihood could or would share some of it for incorporation in this film. The reasons are simple: they need to retain control of the valuable intellectual property they own or are responsible for.

Imagine my joy when both sources agreed readily to letting some of their work appear in GWT's story. Though they didn't ask for it, in most cases I put labels down in the corner so the viewer would know that their fine work was not mine. I felt free to cut and edit the images into any order I felt was appropriate for our story and did so.

Lee Groberg of GROBERG COMMUNICATIONS was most open and generous, letting me use what I wished from his beautifully photographed story Trail of Hope. Producer of many familiar works, his most recent project is America's Choir.

Ken Verdoia of KUED is such a household name I wouldn't know where to start in listing his numerous film accomplishments. Here is a teaser. What a great guy. When I contacted him asking that I use footage from his Mormon Battalion story Battalion, in which he singled out GWT for an important scene, he replied with the following:

"George Taggart. 'The Goodbye Letter' as I continued to refer to it during production. Has any man marching to war written a more touching letter to the family he so dearly loves? Rivaled only by the legendary Sullivan Ballou letter of the Civil War (used with great impact in the Ken Burns series).

"Of course you may use the requested material. My best wishes for your success."

-Ken Verdoia, KUED
Producer of Battalion


MUSIC
Music is so central to the historical accuracy and emotional texture of this production and we used so much of it that we have a separate page devoted to it here.


STILL PHOTOGRAPHS

There is no 150 year-old movie or video footage so the marvelous still photographs of that era are our window on detailed reality. I used all I could find and fit in from diverse sources only partially cataloged here. Modern stills were also useful and liberally included whether it was Salt Lake in October or the battalion road through Arizona photographed in the 1930s. There are hundreds of still photographs in the production.

As I have time to develop this page I will post some of the photographs of the Taggart home here.

JAN MAYNARD furnished some wonderful scenes of autumn leaves she had made in the canyons.

DAUGHTERS OF UTAH PIONEERS have a fine collection of old photographs and I spent many profitable hours looking through it. I used some of their early Salt Lake pictures.

UNIVERSITY OF UTAH has online photograph collections from the early days of the Salt Lake City Engineer's office in conjunction with the Utah State Historical Society. I used some of them. In addition the University has a spectacular resource in online searchable newspapers which I used.

UTAH STATE HISTORICAL SOCIETY has an amazingly extensive collection of old photographs and I searched through it with glee and had many scans made that appear in the film. The collection is housed at the society's library.

NEW ENGLAND AERIAL PHOTOGRAPHY had two perfect pictures of Peterborough and one of Mt Monadnock I used.

BRIGHAM YOUNG UNIVERSITY has an extensive collection of black and white photographs and stills of artwork that were very useful. I included pictures of Brigham Young and the artwork of C. C. A. Christensen from this source. In addition, they have online access to a collection of early editions of the Deseret News which I searched and included some of in the film.

CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS as mentioned supplied most of the pictures of Arsenal Hill and the Taggart home as well as others of early Salt Lake City. They have to have amassed the finest collection extant of such materials. Just to visit the archives is to see big beautiful prints of photographs taken virtually from the Taggart's front door.

DENVER PUBLIC LIBRARY has a superb highly organized searchable online collection that is highly recommended.

UTAH STATE UNIVERSITY has a small but useful collection of online photographs.

LIBRARY OF CONGRESS has extensive collections and links to collections of online prints and photographs which I accessed.

STEVE BERLIN is credited because I used some of my own stills.

UNION PACIFIC RAILROAD makes photographs available online.

RON ANDERSEN sent a nice picture of the trail entering Salt Lake Valley at Little Mountain in autumn, when the Taggarts came.

Many of the photographs I used are from the pioneering work of three Mormon photographers to whom I am greatly indebted.
CHARLES R. SAVAGE - Pioneer Photographer

EDWARD MARTIN - Pioneer Photographer

CHARLES W. CARTER - Pioneer Photographer


LIVING HISTORY LOCATIONS

OLD DESERET VILLAGE, THIS IS THE PLACE HERITAGE PARK, GREAT SALT LAKE CITY
Old Deseret Village is a magical place for a Utah History buff. It has been built up so greatly in recent years and so faithfully to the pioneer period that there are now dozens of places for great shots of authentic places, and when you add the numerous pioneer interpreters, the marvelous unpaid volunteers who reenact living history at the village, you have a paradise for the historic documentary maker.

The cooperation we received in making our film's scenes at Old Deseret Village was superb. All thanks to the many who helped us find great locations and allowed us to photograph virtually anything we wished.


THE PRODUCERS WISH TO EXPRESS
THEIR SINCERE THANKS TO:

Tracy Aviary where we were given a marvelous day's access to Chase Mill by assistant to the director, Liz.

Russ Wood, director of marketing at Old Deseret Village

McCune Mansion where we had free reign for shooting on the grounds on multiple occasions.

Old Rock Mill and Tom Owens who spent hours swapping histories and giving me access to what had been the Richards Mill in Farmington and is now his home he is so lovingly restoring.

Bott Monument Company who for more than one hundred years have owned the Snow-Smith Mill in Brigham City where they operate what is primarily a cemetery marker business and live upstairs. They spent time during their business day and allowed us to film all of the mill we wanted including the original beams, flooring, bricks etc.

Brigham City Museum who supplied us with detailed information on the Brigham City mill.

Gardner Mill in West Jordan, Utah where I was given total access to film the mill machinery still installed inside the old gristmill.

Dickson Family - Richville. These folks date back to the earliest days of the town and I knocked on their door - across from Fanny's old place -  or caught them in the yard many times to pester them with questions about where something had been and what barns had the old wood from George's mill, etc.

Lee Groberg is the owner of Groberg Communications mentioned above for his generous permission to use footage from Trail of Hope.

Ken Verdoia, senior producer at KUED for his support and generous permission to use parts of Battalion in the film.

Leonard Coulson of the Deseret String Band for his generous permission to use music from the group's Utah: Songs of Statehood CD. More on the Music page.

Mark and Stephen Jardine of the Beehive Band for their generous permission to use music from their Mormon Trail 150 year anniversary two CD set. More on the Music page.

Randy Miller of the New Hampshire Fiddlers Union, both a student of history and fine musician who talked Taggarts and Taggart music at length with me and generously gave permission to use songs from the group's album The Music of John Taggart. More on the Music page.

Marsha McBride my contact with Firewood Band that plays all summer and all the special events at Old Deseret Village who generously arranged permission to use their period music in the film. More on the Music page.

Dan Ahlstrom the wonderful husband of my daughter Shannon and an MFA teacher of music who patiently but enthusiastically taught me a little musicology on the origins of the terrific music for this film and its uniqueness compared to developments in Europe.

Bud Rusho, a great friend, and a fine historian and filmmaker for his enthusiasm. encouragement, examples, and expertise, all of which he freely shared.

Blaine & Susanna Taggart, Julie's and Kristi's parents, both for raising them and generously sharing prints, slides and videos from their Nauvoo mission and placing of the Washington Taggart memorial in the old Nauvoo cemetery.

Rick McConkie, Taggart historian par excellence who came through on every request for a photograph or information that I could throw at him.

Ronald O. Barney, author, historian and senior archivist with the Church archives who first got me thinking about the idea of the history of ordinary people, not just the great leaders, in an address he delivered at a Utah Westerners meeting. Ron made his point so clearly and forcefully that this is a direction that histories need to take that it has stuck with me as a guiding concept for this film.

Lerud Productions' Steve and Jennifer Lerud, Dixie Davis' son-in-law and daughter have given critical support for the project. As a sound and recording engineer and high-tech guru, Steve was at the reunion to project the film on a very large screen - thrilling to me - and then ride the volume control on the sound to compensate for the level differences I had not yet tweaked out of the sound track. They operate Lakeview Recording Studio and Steve did all the duplication of the DVDs on his specialized equipment.

Peggy Brown, Sharon, NH still lives in the home of Captain James Taggart of the Revolutionary War where I met her in the early 90s after scheduling a few extra days to visit the old family sites while on a business trip to Boston. Peggy introduced me to her husband Win and spent hours showing me through the home and property, describing its modifications over the years, showing me historic photographs, gifting me with a map Win had made of Sharon and guiding me to the Jarmany Hill Cemetery up the lane and into the woods, where so many of our ancestors lie. In a recent telephone conversation we relived that experience, she expressed her support for the documentary project and she pledged her welcome if I venture there again - and I plan to.

Will Bagley has made a name for himself as a serious, thorough and unflinching historian of the West and especially Utah. He is a good friend of many years and fellow member of OCTA and Utah Westerners. His interview in Battalion regarding the arrival of the nearly dead Mormon Battalion members there at Christmas time 1847 is the most heartfelt and moving thing I have ever seen in historical documentaries. To tell George's story right it cried out to be included.

Connie Berlin Hazen is my smart sister and the source of nearly daily encouragement on the project. It was her love of our ancestors, detailed knowledge of the family history and genealogy and her boundless enthusiasm for the subjects that kindled my own previously latent interest in these things nearly two decades ago.

Jeanette Taggart Holmes sets the bar for family history and genealogy higher than nearly anyone can reach. Her scholarship on all the Taggart lines including the wives is where I got the pedigrees I refer to so often. She just keeps on going. Though she lives in California somehow in contact with Julie she told her about the New Hampshire Fiddlers Union and its John A Taggart cassette. One thing lead to another and now we've the pleasure of a dozen of their authentic Taggart New England songs in our documentary.

Café de Normandie in Holladay, Utah is a great place for a cup of your favorite beverage and a lot of good history discussion with your friends. I go as often as I can. When I needed a place to record voiceovers they provided it. When I needed some shots of tasty bakery goods to illustrate John Willis' 1852 Deseret Bakery they gave me the run of the place.


DVD PRODUCTION
LAKEVIEW RECORDING STUDIO, Engineer STEVEN LERUD. As noted just above under Lerud Productions


ORIGINAL FOOTAGE SHOT ON LOCATION IN:

Salt Lake City, Utah
Interiors and exteriors at Old Deseret Village, cityscapes from the Avenues, McCune Mansion, Mormon Battalion Monument at the Utah State Capitol, Chase Mill and home, Church Office Building, City Creek, winter snow, etc., etc.

Bountiful, Utah
Heber C. Kimball Mill

Farmington, Utah
Richards Gristmill

Brigham City, Utah
Snow-Smith Mill

Richville, Utah
Taggart Hollow, home sites and mill site, old barns with beams from the mill. Beautiful scenery. The waving yellow-green field of grain used at the beginning of the film, at several places thereafter and on the back cover of the DVD case is Clarissa's old home site.

Morgan Utah
Cemetery, George Washington's, Fanny's and Clarissa's grave sites and gorgeous scenery.

West Jordan, Utah
Gardner Mill

Murray, Utah
There are a number of shots of the Murray City Farmer's Market worked into the film where there was a need to show a fine crop of fruits and vegetables and flowers.

Big Cottonwood Canyon, Utah
The beautiful sights and sounds of running water and ponds, waving grasses and flowers, autumn in the meadow and early winter snow storms in the mountains were shot at many places and different times up and down the canyon, which opens into the southern part of Salt Lake.

Sharon, New Hampshire
Where the home video of the James Taggart home and Jarmany Hill Cemetery were shot.

Nauvoo, Illinois
Where prints, slides and video of the Washington Taggart cemetery memorial were made.

ARTISTS

C. C. A. CHRISTENSEN
"Carl Christian Anton Christensen was born in Copenhagen, Denmark, in 1831, and studied at the Royal Academy of Art in Copenhagen from 1847 to 1853. He converted to Mormonism in 1850 and served three LDS missions to Scandinavia: from 1853 to 1857; from 1865 to 1867; and from 1887 to 1889. He translated the lyrics for many LDS hymns into Danish; some are still in the LDS Scandinavian hymn book. In 1857 he emigrated to America from Liverpool aboard the Perpetual Emigrating Fund ship and then pulled a handcart across the plains to Utah. Settling in Sanpete County, he homesteaded in Mt. Pleasant, Fairview, and finally in Ephriam, where he also worked as a house and decorative painter. He married two Norwegians in polygamy--Elise Scheel Haarby in 1857 and Maren Petterson in 1868." - Utah History Encyclopedia

The Museum of Art at Brigham Young University has a wonderful retrospective on this great Mormon artist's work. I used his prints liberally.

Saints Driven From Jackson County, Missouri
Haun's Mills
Leaving Missouri
Joseph Mustering the Nauvoo Legion
Exterior of Carthage Jail
The Nauvoo Temple
Crossing the Mississippi on the Ice
Catching Quails
Winter Quarters
Pioneers Crossing the Plains of Nebraska
Entering the Great Salt Lake Valley

CLARK KELLY PRICE
Has produced some of the most moving and memorable of all LDS art especially his images of the handcart disaster. I located Mr. Price's number and called him at his studio for permission to use his pictures in this film which he gave with encouragement and without hesitation. His exceptional work is available in galleries such as here.

Ephraim Hanks: Obeying the Spirit
Martin Handcart Company-Bitter Cottonwood Creek
Rescue at the Sweetwater


TECHNOLOGY

Camera
Non-Linear Editor
System
PANASONIC AG-DVX100A
ADOBE PREMIERE PRO 1.5
ASUS P4C800-E DELUXE
3.4 MHZ P4, 1GB RAM
2 SATA 160 GB
CANOPUS FIREWIRE
RADEON 9600
SONY 20" MONITORS
XP PRO

The camera is broadcast quality mini-DV from Panasonic's Professional Video line.
The editor is Adobe's top of the line professional filmmaking product.
I built the computer especially for this project and future video work. Techies will understand the specs.

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Last updated: 07 Jul 2008